Faculty Scholarship from 2019
Book Review: Virginia Woolf and Christian Culture, Charles Andrews
Ending Badly: Jim Jarmusch's The Dead Don't Die, Charles Andrews
Last Rites: Martin Scorsese’s The Irishman, Charles Andrews
Faculty Scholarship from 2015
Book Review: Ritual and the Idea of Europe in Interwar Writing, Charles Andrews
Learning to Live with Ghosts: Vera Brittain's Testament of Youth on Film, Charles Andrews
George Lippard’s The Quaker City: Disjointed Text, Dismembered Bodies, Regenerated Democracy, D. Berton Emerson
Faculty Scholarship from 2014
Conflicted Visions Troubles Cinema, Political Myths, and Steve McQueen's Hunger, Charles Andrews
Faculty Scholarship from 2013
“It’s Good to Be Shifty”: The Local Democracies of Old Southwestern Humor, D. Berton Emerson
Faculty Scholarship from 2012
Pledging Peace in Aldous Huxley’s Eyeless in Gaza, Charles Andrews
Faculty Scholarship from 2008
Colored Man: The Ambiguous White Male Body in "Parker’s Back", Charles Andrews